Beverly Hills by Weezer

You should have no trouble playing this riff at all. For the most part, the two guitars play the same thing, except for the bend at the end of the measure. This riff is set to a standard 90 bpm (beats per minute).

Boom Boom- John Lee Hooker

Song Facts

“Boom Boom” is written and performed by John Lee Hooker.

In the original recording, either the guitar is tuned up a half step or a capo is used on the 1st fret, in effect transposing the song to the key of F.

It’s in standard 4/4 time and is performed at about 157 beats per minute.

Backing Track

This backing track for “Boom Boom”. It’s in the key of E, so you can play along as it is tabbed out above with having to use a capo or retune.

Full Tab

Download the full transcription:

boom boom (PDF)

Sittin’ On The Dock Of The Bay- Otis Redding

“(Sittin’ On) The Dock of the Bay” is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. It was recorded by Redding twice in 1967, including once just days before his death in a plane crash.

Sitting-On-The-Dock-Of-The-Bay

Verses

Barre chords are used in the original recording.

With Barre Chords…

Using Open Chords

You could play a more basic version that only uses open chords. You can still provide some of the “walk”.

Take the chord/lyric sheet and instead of using barre chords, just use the open chord form of the chords listed:

G                      B7
Sittin' in the mornin' sun
        C                        A
I'll be sittin' when the evenin' comes
G                       B7
Watching the ships roll in
           C                    A
And then I watch 'em roll away again, yeah

Here we go, just using open chords:

But, what about that cool walk from the C chord down to the A chord as found in the original transcription?

We can even add an additional walk from the G chord up to the B chord:

Stairway To Heaven Part 2

In this lesson, we’ll learn the 2nd half of the intro riff that we started in our previous lesson.

If you had trouble with the previous lesson, rest assured, the two measures from this half are actually easier than the previous 2 measures. That’s good news, right?

In the first measure. we’ll be forming a Fmaj7 chord. Use your 3rd finger on the 3rd fret of the D, 2nd finger for the 2nd fret of the G, and 1st finger for the 1st fret of the B string. The high E will be picked open. This chord formation lasts the entire measure, too. The picking pattern is slightly different, too.