Stairway To Heaven Part 2
In this lesson, we’ll learn the 2nd half of the intro riff that we started in our previous lesson.
If you had trouble with the previous lesson, rest assured, the two measures from this half are actually easier than the previous 2 measures. That’s good news, right?
In the first measure. we’ll be forming a Fmaj7 chord. Use your 3rd finger on the 3rd fret of the D, 2nd finger for the 2nd fret of the G, and 1st finger for the 1st fret of the B string. The high E will be picked open. This chord formation lasts the entire measure, too. The picking pattern is slightly different, too.
Mary Had A Little Lamb by Stevie Ray Vaughan
How Hard Is It?
This song’s intro is an instrumental featuring the guitar. It helps make this blues song very unique. It’s not for the faint of heart, though. There are a few quick passages that may trouble some players.
In the video below I’ll play the entire intro for you:
“Mary Had A Little Lamb” Guitar Tab
Stairway To Heaven Part 1
Take your time when learning this part. We want each note to ring out clearly.
We have four different chord formations here. Each formation lasts for half a measure or, in other words, 2 beats. We want each chord to ring out, so let each note that you pick ring out with the other notes in the chord formation.
For the first chord formation, place your 1st finger on the 5th fret and barre the D, G, B, and high E strings, then use your 3rd finger to fret the 7th fret of the D. Hold your 1st finger there as you’ll use it for the next 2 chord formations.
On the 3rd beat of the first measure, you’ll use your 3rd finger on the 7th fret of the high E string and your 2nd finger on the 6th fret of the D string. Yep, your 1st finger should still be barred across the D, G, B, and high E strings at the 5th fret.
In the 2nd measure, we have our 1st finger still barred across the 5th fret. The only other thing to do here is to fret the 8th fret of the high E string with our 4th finger (pinky). Make sure you have a strong barre here so that the chord rings together cleanly when fingerpicked.
In the 2nd half of the 2nd measure, we’ll shift our barre down from the 5th fret to the 2nd fret. Use the 3rd finger to fret the 4th fret of your D string and your 2nd finger to fret the 3rd fret of the B string.
How To Get It To Sound Good…
Obviously, the short answer is “a lot of practice”, but if you develop bad habits you’ll be practicing it wrong.
A few key points:
- Let it ring throughout. Each chord change will break the cycle but each individual chord formation should have all notes ringing together.0
- Make sure you have quick clean changes from chord formation to chord formation. Pay special attention to the switch from the 5th fret barre to the 2nd fret that’s found in the 2nd measure.
- Don’t overplay it. Don’t attack the strings, just be easy. Play it softly. It’s a ballad for goodness sakes.0
Nothing Else Matters- Metallica
Talk Dirty To Me – Solo – Part 2
Every Breath You Take 4
All Along The Watchtower- Jimi Hendrix
Bob Dylan reportedly refused to play his song “All Along The Watchtower” anymore at concerts after hearing Hendrix’s soaring version. “It’s his song now” said Dylan.
Hendrix really brings out the big guns for the multiple solos featured in the song. Here’s a detailed look at the first solo.
- A pickup is a note or sequence of notes which precedes the first downbeat in a bar in a musical phrase
- The first solo has three pickup notes beginning in the fifth measure
- A musical rest means the instrument is at rest- in other words, don’t play!
- The lead guitar rests for the first four measures of the song
The following downloads are for Lead Workshop students only:
You’ll Be Mine- Stevie Ray Vaughan
This is a Vaughan rendition of a Willie Dixon song. The verses and bridge are 16 bars (or measures) long instead of the standard 12. It’s blazing fast too, at 184 beats
per minute. There is a heavy use of muted strings to create a percussive sound.
Rockin’ Into The Night- 38 Special